Since opening his first studio in 2009, Daniel has produced hundreds of artists just like you! While running ReAmp Studios Daniel hosted and recorded world class artist such as multi platinum recording artist Fetty Wapp, American Idol Finalist Jessica Muse, YouTube favorite Bryan Lanning, legendary guitar maker Paul Reed Smith (PRS) and Grammy Award Winning bassist Victor Wooten (Dave Matthews Band) just to name a few. He has also worked on projects that have impressed the likes of Grammy Award Winning Producer Rodney “Darkchild” Jerkins (Sam Smith, Michael Jackson, Lady Gaga, Black Eyed Peas) and Mike Elizondo (Warner Brothers, Eminem, Dr. Daniel has been published by RipTide Music, Perfect Storm Music Group, Sony ATV Music Publishing. His confidence in the recording studio brings a sense of security and creative reinforcement to the artists that trust him to bring their projects to life. Daniel is a multi-instrumentalist who studied music production at both Fullerton College and UCLA. April 18th, 2023 What is Reamping Reamping is a studio recording technique that involves taking a recorded audio track (usually guitar or bass) and playing it back through a guitar amplifier, then capturing the results by recording the output of the amp to a new track. He is the Founder of ReAmp Recording Studios, and co-owner of Hourglass Independent Records. I'm sure you've already checked the connections.Įdit: Added Quantum out spec and emphasized output level.Daniel Martin is a full time music producer, and composer. Don't know where to point you, other than the manual or tech support.īTW, my ProRMP XLR connector could have a tighter fit. It's likely to have an operating level setting or some kind of output level adjustment. The Quantum specifications show a max output level of +18dBu. I'm not familiar with the Quantum, but as mentioned in the above post(s), definitely make sure the output operating level is set to +4dB. I have the ProRMP's 'output level' control backed-off from the max and set around noon. Probably could run the average level even lower. The peaks are usually in the single digits. I have used a wide range of DI'd average levels in StudioOne - with signals in the "-" high teens, anywhere from -20dB to -15dB. Red Carpet Studios, Surrey, British Columbia. Here are some thoughts:ĭefinitely good that you have balanced out from the Quantum to the ProRMP. I can usually match the guitar vs ProRMP levels at the amp really closely. I also have a Radial ProRMP, and have not experienced the same issues with low levels. Is the Quantum set for those output levels"? Where can I verify that level is set correctly? Now when you say that "The RMP is expecting +4 dBu as well coming towards it. PresonusAaron wroteI am currently using a balance TRS to XLR to the Reamp box. Even with a balanced lead if the Studio One-reamp level is way down maybe you are tracking too quietly and need to record louder. An unbalanced lead may be messing up the RMP input impedance as well. After adjusting the control on the RMP both levels should be very close.Ī proper balanced lead from Quantum to the RMP will add 6 dB of signal level compared to an unbalanced connection. Then connect the re-amp pedal from Studio One and play the guitar track you have recorded. plug your guitar directly into the amp and set for a modest level or basic overall level. I assume it is already.Ĭheck as per the instructions as well. Is the Quantum set for those output levels. The RMP is expecting +4 dBu as well coming towards it. I would be using a TRS balanced lead from either the main out or one of the other line outs from the Quantum to an XLR male connector to go into the preamp pedal. It is transformer isolated and provides the right input impedance to match the output impedance from the Quantum. It takes the high level line level signal from your interface and drops it down to guitar levels suitable for an amp. The Radial ProRMP is a passive re amping box. The DI is not actually required in the re-amping process.
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